![]() ![]() Using the right and left channels to pan stereo audio can make recordings richer and more compelling. Don’t be afraid to record in stereo with a shotgun microphone and stitch the two types of audio together in post-production. For example, if recording the sounds of a forest, you may get compelling binaural recordings of the wind blowing through the trees – but detailed noises, like animals and streams, may be more difficult to capture binaurally. Use a combination of both binaural and stereo recording to fill in “gaps” in your recordings. If you’re going to be in one spot, this problem becomes easier to deal with, as you can use almost any preamplifier.ĭon’t be married to using just one type of audio If you’ll be mobile, you’ll need a pre-amplifier that is small enough to move while still providing ample power, being not too large so as to limit mobility. Because of how sensitive the microphone is, any movements or miscellaneous sounds will be recorded and amplified.įind the right equipment for your projectīinaural microphones range in size, shape and price, but almost all of them require a preamplifier to record. If using the microphone outside, use a windscreen and a stabilizer if possible if recording indoors, make sure to unplug or turn off anything that could make distracting noises. Most ambient noises will be captured by the microphone. Prepare for less than ideal circumstancesĪs with all audio recordings, any additional noise is going to interfere with your recording. If you’re recording a band, place the musicians directly in front of the microphone, or spread them around the microphone to fully immerse the listener if recording something smaller, like someone typing on a laptop, try placing the microphone directly over the keyboard to get clear sound. This is an opportunity to get creative when recording. Think specifically about the placement of the microphone – directionality and size of the room will all have effects on sound quality and volume. Recording binaurally will require you to get as close to what you’re recording as possible, so keep this in mind when picking subjects for your pieces and planning for the space you are recording in. The closer the sounds are to the microphone, the better the reproduction will be in post. Listen with headphones for the best immersive experience. ![]()
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